Books in 140 Seconds: Making Light of Tragedy

April and Keep Toronto Reading may be over, but never fear, you can temper your video withdrawal with regular doses of Books in 140 Seconds! A fortnight ago, Erin and I were talking about the marvellous madness of Blind Descent, and this week we’re switching it up with a lighter focus, Jessica Grant’s debut collection Making Light of Tragedy. And away we go . . .

I swear I had a different ending in mind, and got confused. That’s the one-take system for you folks. If you haven’t watched our video on Come, Thou Tortoise, you should do that too.

Next week we’ll be returning to the land of non-fiction, with no better guide than the Ira Glass in The New Kings of Non-Fiction. Stay tuned to when Books in 140 Seconds returns.

KTR2011: Shawn Syms recommends Pretty

It’s Day 30 of our month-long video smorgasbord to help Keep Toronto Reading, and we’ve still got great stuff cooking! Today I bring you author Shawn Syms, who’d like you to pick up Pretty by Greg Kearney:

In Toronto and swayed by Shawn’s pitch? Head out to the launch of Pretty tonight from 8-11pm at Black Eagle, 457 Church Street.

Shawn Syms has completed a short-fiction collection, and recently started work on a novel. His fiction has appeared in The Journey Prize Stories 21, PRISM international and most recently on Joyland. His reviews, essays and other writing have appeared in 30 publications. He can also be found on Twitter as @shawnsyms.

Making Light of Tragedy, by Jessica Grant

Sometimes you pick up a book, and it’s like a song on the radio that you don’t realize you needed until you’re singing along. At the end of this dreary February, that was certainly the case with Jessica Grant’s excellent debut collection Making Light of Tragedy (Porcupine’s Quill, 2004). I’m already a fan of Grant, having loved her Come, Thou Tortoise last year, and this volume only enhanced my admiration.

What makes all of Grant’s writing stand out (and, I dare say, almost immediately identifiable) is her imaginative, playful, slightly off-kilter perspective. Take her wonderful description of the days of the week: “Days are places we inhabit. Tuesday, for instance, is a tower. Friday, a schoolhouse. Saturday, a runway. Sunday, an empty park. The light is different in each. We are different in each.” She also doesn’t shy away from occasional flights of fancy (like a woman who believes time travel is possible if you follow 4 steps ending with “Crying on Television” or a ski-jumper who takes off never to land).

Making Light of Tragedy offers up a collection of irresistibly endearing characters bordering on neurotic, from irascible (not to mention irresponsible) book reviewers to know-it-all roofers. [...]

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